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NPR (National Public Radio) is an internationally acclaimed producer and distributor of noncommercial news, talk, and entertainment programming. A privately supported, not-for-profit membership organization, NPR serves a growing audience of 27.5 million Americans each week in partnership with more than 860 independently operated, noncommercial public radio stations.
NPR
Contemporary drama in a rural setting from the world's longest running radio soap opera.
BBC Radio 4
KCRW 89.9 FM is a Free Internet Public Radio Station of Santa Monica College, in Los Angeles, California - Streaming Live Independent Music, NPR News, and Talk
KCRW
KCRW 89.9 FM | Internet Public Radio Station Streaming Live Independent Music & NPR News Online from Los Angeles, CA - KCRW
American Public Media, a nonprofit 501(c)(3) organization, is the largest owner and operator of public radio stations and a premier producer and distributor of public radio programming in the nation. It is also the largest producer and distributor of classical music programming in the United States.
American Public Media
Home | American Public Media
WNYC 93.9 FM and AM 820 are New York's flagship public radio stations, broadcasting the finest programs from National Public Radio and Public Radio International, as well as a wide range of award-winning local programming.
Public Radio International/WNYC
The New York Times is an American daily newspaper founded and continuously published in New York City since 1851. The New York Times has won 106 Pulitzer Prizes, the most of any news organization.[3] Its website is the most popular American online newspaper website, receiving more than 30 million unique visitors per month.[4]
The New York Times
J.C. Hutchins is an award-winning fiction and nonfiction storyteller, with 15 years of professional writing experience. His two novels – 7th Son: Descent and Personal Effects: Dark Art — were published in 2009 by St. Martin’s Press.
J.C. Hutchins
Arts, culture and city life from WNYC, New York Public Radio, 93.9 FM, 820 AM.
WNYC Culture
IndieFeed delivers fresh and quality-filtered music selections to audiences seeking extraordinary content experiences. Unlike mass-oriented broadcast companies, IndieFeed delivers targeted, single-serving shows optimized for desktop and mobile use, providing valuable content choices for busy quality-conscious people.
IndieFeed.com Community
Visit ABC online for information on ABC daytime and primetime network programming. Watch full episodes of your favorite ABC shows and browse exclusive online content.
ABC
ABC.com - Official Site of the ABC Network
Brian Ibbott is a podcaster who lives in Arvada, Colorado.[1] He is most notably known for his podcast Coverville, which began in September 2004. Coverville is one of the longest running podcasts in the iTunes store and also is in the top rankings for overall episode numbers. He also podcasts for the Denver Post as well as co-hosting the casual gaming podcast "Tired Thumbs" with Charlie George and Sara Phillips. He also co-hosts a movie discussion podcast, "Film Sack", with Scott Johnson, Randy Jordan, and Brian Dunaway.[2][3]
Brian Ibbott
KEXP-FM (90.3 FM) is a public radio station based in Seattle, Washington, that specializes in alternative and indie rock programmed by its disc jockeys. Its broadcasting license is owned by the University of Washington, which operates the station in a partnership with Paul Allen's Experience Music Project. The station was formerly operated under the call letters KCMU.
KEXP
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Guitarist Pat Metheny talks about his recorded works, guitars and more on this up close and personal series.
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The Monocle Weekly signs on with a mix of smart discussion, previews, field reports and feature interviews. From our studio in London and our bureaux in Tokyo and New York, Monocle's editors focus on the horizon and explore the looming stories within the five areas that define our editorial agenda: global affairs, business, culture, design and consumer culture. Sponsored by TOTO. For more information about Monocle’s print and online offerings please visit www.monocle.com.
The Monocle Weekly
Mixes and commentary on harmonic mixing in drum and bass by Rocdollar who hosts a radio show on Bassdrive.com. Visit http://digitalsoundboard.rocdollar.com for the full source feed. Big up!
Roc's Digital Soundboard
Piano improvisations by Curt Siffert. More an exploration of the creative process than a guarantee of finished, polished works. Unless otherwise noted, each piece is made up on the spot. Send Curt an evocative phrase (like the improvisation titles) through the website and a future improvisation might be based off of it. Visit http://curtsiffert.com/ for more music. All improvisations released under a Creative Commons copyright, by-nc-nd 2.5
Curt Siffert's Piano Musings
A bunch of stuff I write on a weekly, or even daily basis. Check back often for some new music!
Keygan R. Boesiger
Cigar City Podcasts will focus on helping Florida bands, primarily from the Tampa Bay area, gain exposure throughout the state of Florida and possibly into the rest of the country by featuring songs and releases, interviews and questions, lists of noteworthy shows from bands featured each month, and in the future plans to hold contests with prizes.
Cigar City Podcasts (aac)
Octex, Jernej Marušič, (text by: Luka Zagoričnik)
Hidden behind the name Octex is the Ljubljana-based artist Jernej Marušič, who started appearing under this name, a shorter version of Organic Crackle and Tone EXperiments, in the late nineties of the previous century – as a follower of contemporary currents in electronic music and a lover of analogue sound synthesisers. His first released composition ‘Nigljana’ was included in a varied compilation of Slovene electronic music Elektrotehnika Slavenika from the year 2000, which was issued with wide acclaim as a supplement to the British music monthly The Wire. His LP debut ‘Idea Lashna’, by and large one of the most groundbreaking and creative achievements in the Slovene electronic scene, was released in 2002 under Tehnika Records label, having wide reverberations also abroad. The critics recognised it as a top-notch product following the stripped-down aesthetic characteristic of musicians signed under the German label Basic Channel, while the album offered a finely tailored mix of techno, ambient music, and dub as an echo and a reaction to contemporary, nervous sound landscape of urban circles. The album earned Marušič the then influential Slovene music award ‘Bumerang’, awarded by Studio City programme of the Slovene National Television, while in France it was voted one of the ten finalists for the electronic music award presented by Radio France International. That said, Marušič’s music making does not stick to proven recipes and a solidified sound aesthetic. In an on-going, restless search for a new sound, Octex absorbs various trends that schizophrenically spring from the field of electronic musics, incorporating them again and again in its own music in a distinctly unique and recognisable manner. Already with his next album ‘Variations’, released by RX:TX in 2005, Marušič found himself in an altogether new world, which drew on a tense and intense techno connection between Berlin and Detroit, traversed by dub, soft sound textures, and complex, seemingly unstructured rhythms, with which he stepped out of the prescribed matrix 4/4 and which have today become a trademark for Marušič’s work. Around that time, Marušič also started to regularly appear live; he did remixes for well known artists, like Laibach and Ultra-Red, while reverberations of his work also took him across our borders. He performed, for example, in a London-based series Sprawl, in Club Transmediale in Berlin, in Dispatch in Belgrade, and at Exit Festival in Novi Sad. With the album in question, Octex also signed to the home RX:TX label, in the frame of which he performed alongside artists under labels such as Raster-Noton, contributed tracks to two international compilations ‘Progress’ and ‘Progress EX 0.4’, both released by the mentioned label, and was featured on a highly appreciated Slovene compilation ‘Trans Slovenia Express Vol.2’, dedicated to the cult band Kraftwerk and released by the British Mute Records. Earlier this year, RX:TX released Octex’s long-awaited new album titled ‘Every Sound Tells a Story’, which is this time lined more explicitly with an analogue sound of modular sound synthesisers, sifted through digital technology. Individual tracks from the album were inspired by fieldwork recordings, which are in a processed form blended into each track. Dino Lalić, a music critic for Radio Student, wrote the following about the album. ‘Its sound readily admits techno, dub, and ambient influences, with none of them standing out in particular. The fact that these influences remain merged offers a myriad of interpretations. Nobody is right and whoever says he is – is inevitably wrong’. These words fitly capture the essence of the restless, yet sound-wise well-tailored creativity of Jernej Marušič, which he lately also incorporates into improvisation, both in his solo performances and in his work in the trio Ago Tela, which includes, besides Marušič, also DJ Dojajo and Mario Marolt, while at the same t
Octex (Jernej Marušič) - ZVO.ČI.TI (So.und.ing) 2010
The Sunday Night Songwriter's Stage at The Hydeaway, hosted by Rhea March, brings together a community of musicians to perform original music in an open format of creativity and camaraderie. With archives from the hulbert's Alley Kat songwriter's stage.
YEG Live Sunday Night Songwriter's Stage
Z Radio is about one
thing, playing a variety of
music that you could
never hear anywhere
else, or would most likely
never hear anywhere
else. All access to the
show is free.
Z Radio (aac)
ipadio takes any phone call and streams it live on the web, makes phonecasts and phlogs simple and immediate
TLSC - VCE Japanese
As a companion to WilmU Magazine, this program offers an indepth look at people and events that impact the Wilmington University Community.
WilmU Magazine-On Air
This podcast will vary from being general musings, to ambient sound captures, to travel reports from the road, to virtual sidekick field photography sessions.
Skip Hunt is a wandering, wondering artist who travels, photographs, films and writes about adventure online. Here's a short bio from his fine art print site: http://skip-hunt.artistwebsites.com
'I make images... so that all my moments will not be lost in time like tears in rain.' ~ Skip Hunt
Skip Hunt, born on the wind-swept plains of Oklahoma, is a professional photographer in Austin, Texas. He picked up a 35mm camera in the mid-1970's and has never stopped sharing his unique vision via photographic images.
Many moons ago, he was bitten hard by the wanderlust beast and has been canvassing the globe ever since. Visionary artists such as Pete Turner, David Lynch, Cindy Sherman, and Andre Kertesz set Skip's sight on a fine-art horizon early on. His insatiable thirst for rich color and even richer cultural exploration keeps him on the road most of the time. When he's recharging his batteries, he calls Austin, Texas home.
Please Enjoy!
Skip Hunt's Phlog (Phone Blog)
Koopa Nut and Bernard James talk about all things Precipto and ADV and anything else they like. Like old computer games and things that aren't real.
Adventures of... podcast (iPod)
A new monthly podcast from Kings Place contains details of upcoming events, news and exclusive interviews. Kings Place (London) is a new creative centre presenting music, spoken word, painting and sculpture from around the world with a water-side restaurant, cafe-bar and conference and events facilities.
Kings Place
Subscribe for exclusive band interviews, backstage gossip and free music from Edinburgh's best loved DIY gig/club night; This Is Music Edinburgh. http://www.myspace.com/thisismusicedinburgh
This Is Music Edinburgh
Mobile Micro Shows feature local artists and musicians. We sit down with musicians, bands, writers, and artists of all kinds and they perform two pieces as well as answer a few questions.
Mobile Micro Shows
Vasja Progar - (text by Luka Zagoričnik)
Born in 86, Vasja Progar is one of the youngest makers in the field of contemporary music in Slovenia, an insightful and critical thinker, a graduate of biotechnology and a former student of composition and music theory under Uroš Rojko at the Academy of Music in Ljubljana, whose radicality and faithfulness to his own expression made him quit this institution to embark on a study of cognitive systems and interactive media at the University Pompeu Fabra in Barcelona. This compact sentence only neatly discloses Progar’s creativity in the area of music. Young as he is, Progar already presented his compositions in the Slovenian Philharmonic in the frame of the festival Slowind in 2009 and at the Slovene Music Days in the year 2010. His transition from the 2008 composition for choir ‘Ay, Green Are All the Highlands’, a remake of the Slovene folk song, to his later works is abrupt, incorporating and illustrating the tendencies of certain other young Slovene composers, Progar’s colleagues, Matej Bonino and Petra Strahovnik for example, with whom Progar collaborated in the intermedia performance for chamber ensemble, a dancer/singer, live electronics, and video, meaningfully titled ‘Futturismo Hurra!!’, which in its core paid tribute to the historical movement of futurism via the futurist poem of the same title by Luciano Folgore. The intermedia nature of the work, which combines dance, movement, environmental and electronic sounds, and sounds of acoustic instruments, reveals the tendencies of the three young artists, who used to organise discussions, round tables, workshops, and other gatherings together with their colleagues from Škuc Gallery, with which they were boldly breaking down the stuck-up and conservative ways of thinking that overwhelmingly prevail in Slovene classical music. Vasja Progar goes farthest among his colleagues. His 2009 composition ‘Close to Silence’, performed by the acclaimed Slovene contemporary wind ensemble Slowind, is anchored in the current reflections on silence, which are – following John Cage – unwinding in contemporary music for the past twenty years. In this four-part composition, Progar constitutes silence through different perceptions: as a resonance, as latent energy, as absence in relation to sound, as tension and abstraction in relation to music. Which can also be non-music, a reflection, bound to the listener and his/her perception. And it is precisely here that Progar touches upon his idea, which he presents as ‘a focus on research and an unveiling of human perception through art form’. Today, Progar enacts this idea, this search in numerous art environments, besides the music and sound ones, also in multimedia and interactive performances. These include video artists, dancers, and poets, as for example in collaborations with Spanish, Chinese, Japanese, and Lebanese poets presented at the Ljubljana-based festival Live Literature in the years 2009 and 2010. Progar has opened up the thresholds of our perception and the senses even more in his interactive installation ‘Threshold’, where he – negotiating the limits of our perception – researches and reveals the boundary lines between perception and interpretation, pursuing an interpretation that is pushed into the elusive sphere of the illogical by the working of the installation itself. In his work ‘Sub / Consciousness’, Progar investigates the space between the conscious and the unconscious by using different audiovisual stimulants, which take the form of pre-prepared sound textures, measurements of the heartbeat rate or body’s blood pressure, and other visual stimuli mediated by the video by Ana Čigon and Rot Pulojva. These are then submitted to further sound manipulation and positioned into the space of the conscious and the unconscious, into a space through which we enter and exit the real and the virtual. The piece was presented at the exhibition and series of sound events, installations, and perf
Vasja Progar - 7 skladateljev ZVO.ČI.TI (So.und.ing) 2010
Luka Juhart - (text by Luka Zagoričnik)
The accordionist Luka Juhart belongs to that generation of young Slovene musicians, performers, and interpreters who are enthusiastically, painstakingly, and passionately devoted to contemporary music repertoires. That is, to performing contemporary classical music works of the past century and current compositions of foreign and home composers, with whom Juhart collaborates very closely already during the composition process. These compositions often balance precariously on the verge of performability, on the very edge, which not only demands exceptional skills and a refined ear for music – thus intentionally or unintentionally nurturing the virtuoso in the performer himself – but also a considerable ability to co-create, to participate in decision making, and to offer initiatives and decisions about how to read the music and other composition materials. Juhart attracted the attention of the Slovene wider public with compositions by Vinko Globokar and by Uroš Rojko, with whom he often appears in smaller chamber ensembles. Juhart has completed the bulk of his studies abroad, as an instrumentalist. After graduating from Maribor Music High School under Prof. Andrej Lorber, he enrolled to the class of Prof. Hugo Noth at the Academy of Music in Trossingen, Germany. In 2005, he graduated from music pedagogy and in 2006 received an art degree. In 2008, Juhart completed his Master’s degree in the class of Prof. Stephan Hussong at the Academy of Music in Würzburg. Juhart is a multiple winner of international and national competitions, the recipient of the 2001 Roman Klasinc Award for exceptional achievements, the 2002 recipient of the DAAD foundation award for best exchange student at the Academy of Music in Trossingen, Germany, the recipient of the Iris Marquardt Preis Award for best student of the same school, and the 2008 recipient of the Golden Bird Award for music. Besides recording for numerous national and foreign radio stations and collaborating with countless prominent home and international chamber, orchestral, and other ensembles, Juhart spends most of his talents collaborating with the contemporaneous generation of composers. Among others, he has collaborated with Thomas Larcher, Klaus Huber, Eduardo Demzo, Volker Heyne, Adrian Seiber, and Stefan Beyer. At home, he regularly collaborates with Vinko Globokar and Uroš Rajh, and among the younger generation of composers with Bojana Šaljič Podešva and Matej Bonina, for example. His interpretation of Matej Bonino’s composition for accordion, percussions, and a plastic tube ‘One Man Band’ premiered this year in the event ‘Forgotten, Overlooked’, while in 2008 Juhart boldly entered the field of electroacoustic music with a composition for accordion and magnetic tape ‘Meditation on Presence’, composed by Bojana Šaljič Podešva. This year, Juhart appeared alongside Aventure Ensemble and the Freiburg Anton Webern Choir in Uroš Rojko’s work ‘King David’, which was performed in Slovenia and abroad. He also participated as a soloist in Vinko Globokar’s composition for accordion, percussions, the choir, and orchestra ‘Radiographie d’un Roman’, which was performed at this year’s edition of Donaueschinger Musiktage. Juhart is noted not only by a broad repertoire, encompassing a wide range of classical works, not only by virtuosity and an ear for contemporary streaming in music, but also by his playful attitude toward extended performing techniques, toward electronics, and electroacoustic sound, as well as by flirting with performativity, such as is needed, for example, in the interpretation of the extremely demanding Vinko Globokar’s piece ‘Dialogue Uber Luft’, which Juhart performs regularly. Alongside redefining the accordion in the Slovene space, with which he is stepping into a circle of contemporary Slovene accordionists, such as Bratko Bibič, Marko Hatlak, and others, Juhart’s main value and distinction lie precisely in his ear for the works o
Luka Juhart - 7 skladateljev ZVO.ČI.TI (So.und.ing) 2010
TAO G. Vrhovec Sambolec, (text by: Luka Zagoričnik)
A composer of contemporary music, clarinettist and electronica musician, sound artist and maker of multimedia environments Tao G. Vrhovec Sambolec creates in all of the mentioned areas, while retaining his individuality and recognisability in each of the fields. This does not only unveil his acute sonic sensibility and a careful consideration of its traits but also an ear for a sound environment through which meanings are disclosed on different levels – social, artistic, architectural, and political. These elements are intertwined in a clear and distilled but never rigid concept. Tao first graduated at the Trondeheim Conservatory of Music in Norway as an instrumentalist, clarinettist, and then continued his studies at the Royal Conservatory in The Hague, the Netherlands, where he received another BA from music composition and an MA from ArtScience programme at the Interfaculty Image and Sound. As a composer, he has produced a series of works for smaller chamber, percussion, and other ensembles, which were performed at home and abroad. In his early period, he collaborated a lot with Marko Peljhan; later his works were performed in renowned international contemporary music festivals, such as Contemporanea in Italy, Gaudeamus Music Week, the Netherlands, and Forum Nueur Music in Germany. Tao G. Vrhovec Sambolec is active also in the field of free improvised music. In 2003, Vrhovec and the contrabassist Tomaž Grom established the duo Tilt, although a project with this name had been detected already in 1999 with the album ‘The Double’ in collaboration with the poet Primož Čučnik. Even prior to this, the project was called Muskafiber and featured the composer and accordionist Drago Ivanuša. The music of this period relied heavily on structural elements through the form of poem, poetry, singing, and speech, and often drifted into spontaneous, improvised soundscapes. Today, Tilt touches upon contemporary sonority in a digital milieu, drawing its expressivity from a liminal space between acoustic and electronically processed sounds. This space in-between is also the locus of spontaneous communication. But even though it is grounded in free improvisation, the improvising nevertheless suggests a composing sensibility that addresses through a wide spectrum of sounds, timbres, and real-time digitally processed sounds. Tilt released an album under the Slovene L’innomable label and received many good reviews in the national and international press, among other also in the British music monthly The Wire. The duo was successfully performing in different European capitals, as well as collaborated with numerous internationally acclaimed musicians. In the field of mixed media art practices, Tao gained further recognition with, for example, a series of installations, space interventions titled ‘Virtual Hole’ and ‘Virtual Mirror’. Recently, he is enjoying a growing international reputation also in the field of sound art, especially through his collaborations with the American musician and theoretician Brandon LaBell, author of ‘Background Noise – Perspectives on Sound Art’, one of the more influential discussions of sound art. Their last collaboration was the book and a CD ‘Manual for the Construction of a Sound as a Device to Elaborate Social Connection’ for the project ‘Virtual Mirror – Sound’. In this context, Tao this year received a ‘Hybrid Arts Honourable Mention’ at Ars Electronica in Linz for the work ‘Virtual Mirror – Rain’. A fusion of music, improvisation, and his interactive installation research can be seen in his work ‘Inside Out’, which he co-created with the acclaimed Austrian composer and trombonist Radu Malfatti. Tao has presented his works in Mexico, the Netherlands, Germany, Great Britain, Spain, Turkey, and elsewhere. Tao G. Vrhovec Sambolec is not only one of the most visible contemporary Slovene artists but – with his cycle of lectures, sound events, and concerts Bitshift t
TAO G. Vrhovec Sambolec - ZVO.ČI.TI (So.und.ing) 2010
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